Esther Anatolitis is a writer, critic and curator of ideas with an abiding interest in how art creates public space in all its forms. Her practice rigorously integrates professional and artistic modes of working to create collaborations, projects and workplaces that promote a critical reflection on practice. Esther is Director of Projects at Regional Arts Victoria and a passionate advocate for the arts.
Esther has facilitated and collaborated on creative projects across a range of media and locations. Her academic background is in European philosophy, and she also holds the postgraduate Zertifikat BauhausDessau for her work on the international architectural project Serve City: Interactive Urbanism for which she was awarded a DAAD Künstlerprogramm residency. At the Bauhaus, Esther worked within a studio model that embraced the cross-disciplinary collaboration practices of the home of Modernism, as well as leading a weekly concept workshop for the broader Bauhaus community. With Dr Hélène Frichot, she then co-curated Architecture+Philosophy for ten years. Esther is currently teaching into the studio program at RMIT School of Architecture & Design, and has presented the Architecture Curriculum at The School of Life Melbourne. In 2016 Esther was Curator of Digital Publics Melbourne and Sydney, and she co-facilitated Independent Convergence in 2016 and 2017. In 2017 Esther curated the Sunday Salons with Ben Eltham and Tasneem Chopra.
Creating and sustaining the conditions for independent creative practice is Esther’s professional focus, with past leadership roles spanning craft and design, literature, visual arts, publishing and broadcasting. Esther has held CEO-level positions with several key Victorian arts organisations including Melbourne Fringe, Craft Victoria, SYN Media, the Emerging Writers’ Festival and Express Media, and was Director of Regional Arts Victoria from 2012 to 2017. She has served on many boards, including chairing the Arts Industry Council (Victoria). As an arts leader she specialises in creating new artistic frameworks for established companies that generate new thinking and new work. Esther is on the Programming Advisory Committee for the 2013, 2014, 2015 and 2016 Melbourne Writers’ Festivals, the Musica Viva international programming advisory, the Australian Children’s Theatre Foundation as a trustee, and the Artistic Advisory Panel for Arts & Edges 2014 (Kalgoorlie-Boulder) and Artlands 2016 (Dubbo). At Arts & Edges, Esther was the Ambassador for the counter-program of artistic interventions, the Special Agents. Across 2014-2015, Esther developed her creative approach to public space and public voice with the support of the Australia Council Artistic Leadership fund. In 2015 Esther was a member of the Victorian Government Creative Industries Strategy Expert Reference Group. Currently she serves the boards of ACMI, Elbow Room as Chair, and is Deputy Chair of Contemporary Arts Precincts, the company leading the development of the Collingwood arts precinct.
Esther’s work has been published widely in Australia and overseas, most recently in The Age, Meanjin, Overland, Eureka Street, Dancehouse Diary, un Magazine, The Emerging Writer, The Australian, Artichoke, Arts Hub, Houses and RealTime Arts, and she is the former arts policy columnist for Meanjin. She has been profiled in The Age, The Leader, Melbourne News, CB Online, Arts Hub, The Courier and Neos Kosmos. Her writing has been translated into German, Greek and Ukrainian. Experimentation is her writerly love. In 2017 she was a keynote speaker and site-specific workshop presenter at Performing, Writing in New Zealand.
High-level industry engagement is core to Esther’s ethos and she is regularly invited to consult with small-to-medium organisations on strategic planning and programming. Esther is an expert peer assessor for the Australia Council, Catalyst and the City of Melbourne. She has judged the Georges Mora Fellowship, the Urban Realities Docklands 72hr Design Challenge, the Australian Institute of Landscape Architects’ Street Works international design competition, the NEMBC Awards and the Science Week Art Prize. Esther actively fosters industry-wide networks with a Victorian focus. In 2013 Esther was a finalist in the Melbourne Awards for Contribution to Profile by an Individual, nominated by regional Victorian artist and curator, Tamara Marwood.
Across all such involvements is an abiding interest in those special spatial and cultural configurations that are responsible for the emergence of the new.