This is the heart of the nation. Here – on what they call Capital Hill. My family called it Currajong Hill. A place of knowledge, where my great-grandfather, and his people, had been for thousands of years…
– Aunty Matilda House

The creative capacity and creative inheritance… For me, it’s very important that… [Indigenous and migrant] stories and artwork form part of our mainstream Australian histories, Australian stories, and Australian art and creative expression… We’re looking forward to doing some serious work in progressing this… and making a mark.
– Maria Vamvakinou
Co-chair, Parliamentary Friendship Group for Contemporary Arts & Culture

Unlike what you see at Question Time, the great majority of us get along very very well, and work productively! … I am so happy to have these two portraits of two of my heroes, and [division bells ring] and we have to go now [laughter], so I’ll make this short, and that makes it better!
– John Alexander
Co-chair, Parliamentary Friendship Group for Contemporary Arts & Culture

The arts play a very important role, and… very important economically: about 7% of our entire GDP… The work of working artists everyday is incredibly important economically… as well as its fundamental importance as a means of expression, as a means of interpreting this world in which we live…
– Paul Fletcher
Minister for the Arts

Thank you, to those of you who are artists, for what you do… In Australia generally, we’ve lost the capacity in almost every policy discussion or debate to deal with something being beautiful, to deal with something touching your soul… Your work as visual artists: you take control from that first glance… Please keep engaging with this building. We don’t just respect and appreciate what you do – we need what you do.
– Tony Burke
Shadow Spokesperson for the Arts

Last week’s launch of Arts Day on the Hill was the first ever event of the new Parliamentary Friendship Group for Contemporary Arts & Culture. Speaking at Parliament House to a roomful of artists and arts leaders, Aunty Matilda led each Member of Parliament in recognising the centrality of culture to the place where we gathered, and to the life of the nation.

The Arts Day of the Hill Advocates had just spent two days in workshops at the NGA, the Museum of Australian Democracy and Parliament House, hearing regional, national and global perspectives on arts and cultural policy, as well as looking at advocacy in Australia today and the role of communities, public institutions, the media, government, parliamentarians – and artists. We kept up that pace over the two days that followed, meeting 18 MPs across a range of parties to secure their long-term commitment to effective arts policy that survives a change of government.

Together, we worked out our top three issues or our ‘three killer points’: putting First Nations first by championing and fully funding NIACA; investing ambitiously and strategically across all artforms through an Artistic Investment Framework that includes VACS; fair pay for artists by making industry standard pay a condition of all public funding. And that was just our starting point; we delved into a lot more specifics around a range of urgent issues including superannuation reforms, cultural tourism and education.

The most consistent thing the Arts Day of the Hill Advocates were told, repeatedly, by MPs of all stripes, was that this was the first time they’d had arts people in their office. That they never hear about the arts from their constituents, or in their electorate. That nobody is raising the problems with them, nor the urgent need for change, nor what they can contribute.

Think about that for a moment. All over Australia, NAVA has thousands of Members and tens of thousands of colleagues, subscribers and social media followers. And that’s just us in the visual arts, crafts, design and the contemporary arts more broadly. The arts-practising, arts-loving population is massive – 98% of Australians, according to Australia Council research – and yet the Australian Parliament isn’t hearing about what’s at stake when artists can’t sustain careers because their incomes, pathways and rights are dwindling.

Of course, NAVA’s been hearing this for many, many years – thus our Advocacy Toolkits, Election Report Cards and all of our other guides on taking action right now – but to hear MP after MP say so was illuminating for our Advocates. It seems so simple, they said, and it’s easy to be suspicious about the impact it can have, but it’s needed precisely because it is simple and it is impactful.

We’ll have more to say about this as the Advocates come together to make their next plans. In the meantime, start by joining our inaugural Arts Day on the Hill collaborators All Conference, Asialink Arts, Arts Access Australia, Australian Museums & Galleries Association, Diversity Arts Australia, Live Performance Australia, Performing Arts Connections Australia and Regional Arts Australia in connecting with your MPs directly or on social media and letting them know about your work. We’ve got a lot of good relationships to build on – and no time to lose.


>>> Read on at NAVA.


IMAGE: Minister for the Arts, Paul Fletcher MP; Executive Director of NAVA, Esther Anatolitis; Co-Chairs of the new Parliamentary Friendship Group for Contemporary Arts & Culture, Maria Vamvakinou and John Alexander. Photo by Irene Dowdy.